The Cranford Series – Victorian Decorative Gilt Designs

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"Cloth Elegant": A Collector's Guide to Macmillan's Cranford Series

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What is the ‘Cranford’ Series?

The Cranford Series, a collection of exquisitely designed and (at the time) affordably priced books, holds a significant place in the history of English publishers bindings. Released by Macmillan and Co. over a period of 32 years spanning from 1876 to 1907, the books are highly sought after for their dark green cloth bindings with distinctive rich gilt pictorial blocking on their covers, with delightful shelf appeal arising from their detailed gilt spine vignettes. 

What’s the appeal? Why do people collect this series?
24 volume cranford series spines
The Cranford series - these books have some seriously opulent gilt shelf appeal!

One of the defining characteristics of the Cranford Series bindings is their lavish use of intricate gilt stamping on the front covers and spines, often featuring decorative motifs and elaborate patterns, and gilt page edges. Macmillan and Co. referred to these bindings as “cloth elegant,” part of their commitment to creating visually stunning editions that were within the reach of a broader audience.

Distinguishing features of the Cranford Series lie not only in their artistic allure but also in their format and uniformity. All volumes in the series are crown octavo (8vo) in size, presenting a compact yet visually appealing format that was popular during that era. The bindings, made of smooth shiny cloth, boast a uniform dark shade of green that contributes to the series’ cohesive visual identity. The binding designs are a testament to the enduring appeal of the aesthetics of the 1890s, with many of the gilded cover illustrations designed by some of the most popular artists of the day (Hugh Thomson, Randolph Caldecott, Albert Turbayne), adding a touch of opulence to their overall presentation. Beyond their visual allure, these bindings at the time were also a symbol of affordability – they were produced with a desire to make beautiful books accessible to a wider audience, ensuring that more readers could appreciate the elegance of 1890s design.

Why is it called the Cranford series?

The name of the series itself has an interesting origin. Initially, the books were not marketed by Macmillan as a cohesive series until around 17 years after its inception and the publication of the fourth volume. Rather than being named after its first volume, Old Christmas, or the first designer (Randolph Caldecott illustrated the first two titles), the series derives its moniker from the fourth volume released, Cranford by Elizabeth Gaskell, which was published in 1891 and illustrated by Hugh Thomson. 

Following the release of six additional volumes in 1892, all including the name “Cranford” in Macmillan’s advertising material, the collection was retrospectively named the Cranford Series, encompassing the earlier three volumes as well.

How many books are in the Cranford series? Are there other similar books?

Macmillan’s advertising used many phrases when referring to its titles, such as “uniform with” other titles in the series including Cranford and Vicar of Wakefield (around 1893-94), or as “new volumes” in the “Cranford Series” (1895 and later). It is generally accepted that there are 24 volumes in the ‘core’ Cranford series, with a bonus ten additional titles in the related Cranford-America series produced by Macmillan New York. A related series called Macmillan’s “Illustrated Standard Novels” also features a collection of titles with a similar design and size. 

There are also at least a dozen or more similar-looking “imitator” volumes issued by different publishers, including Kegan Paul, Trench, Trübner; George Allen & Sons; and Seeley & Co. Often mistaken for the Cranford Series, these derivative-style volumes may be of a slightly different size, but they possess a similar charm and appeal (particularly the Dobson collections), so I have included a good many of these titles in a separate list below as they form part of the broader landscape of these delightful late 19th-century publishers bindings and mingle attractively together on a shelf.

Which titles are the most expensive?

Many of the titles in the Cranford series can be easily found in thrift shops for low prices, but a few are significantly rarer and command very high prices. The most expensive titles (and usually hardest to find) include Grimms’ Household Series, Tales of the Punjab, Rip van Winkle, Reynard the Fox and Gulliver’s Travels. These are listed as uncommon or rare below depending how regularly they show up on the market, even though there is likely to have been a similar number of copies published for some of the volumes.

Macmillan's Cranford Series - Complete List of Titles

This is a complete illustrated list of the core 24 titles in Macmillan’s ‘Cranford Series’ binding. The earliest publication date for this binding is provided, but several books were reprinted in following years.

Old Christmas

Washington Irving, Old Christmas (1876). Cover design and 100 illustrations by Randolph Caldecott.

Explore the charm and warmth of an old-fashioned rustic English Christmas.


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Bracebridge Hall

Washington Irving, Bracebridge Hall (1877). Cover design and 120 illustrations by Randolph Caldecott.

Explores the traditions, festivities and romantic entanglements at an English country estate.  


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Vicar of Wakefield

Oliver Goldsmith, Vicar of Wakefield (1890). Preface by Austen Dobson, cover design and 182 illustrations by Hugh Thompson.

A vicar and his family navigate unexpected turns of fate in 18th-century England.


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Cranford

Elizabeth Gaskell, Cranford (1891). Preface by Anne Thackeray Ritchie, cover design and 100 illustrations by Hugh Thomson.

Explore the social dynamics of the residents of a small English town.


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Days with Sir Roger de Coverley

Joseph Addison et al., Days with Sir Roger de Coverley (1892), cover design and 50 illustrations by Hugh Thomson. This is a re-release in series binding of the larger-size 1886 edition which was bound in blue cloth.

An illustrated anthology of the Spectator’s series on the arch-country gentleman, Roger de Coverley.


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Grimms’ Household Stories

Brothers Grimm, Household Stories from the Collection of the Brothers Grimm (1893). Translated by Lucy Crane (1893), cover design and illustrations by Walter Crane. 

A classic selection of fairy tales, exploring the realms of magic, adventure, and morality. (Note, these are the unsanitised version!)


Rare. Check availability at Abes | eBay


Hood’s Humorous Poems

Thomas Hood, Humorous Poems (1893). Preface by Alfred Ainger, cover design and 100 illustrations by Charles E. Brock.

A collection of witty and satirical poems.


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Rip Van Winkle

Washington Irving, Rip Van Winkle and the Legend of Sleepy Hollow (1893). With 50 illustrations by George H. Boughton.

A man falls asleep for 20 years in the Catskill Mountains, and a headless horseman terrifies the inhabitants of Sleepy Hollow.


➤ Uncommon. Check availability at Abes | eBay


Coaching Days and Coaching Ways

W. Outram Tristram, Coaching Days and Coaching Ways (1893). Cover design by Hugh Thomson, 200 illustrations by Herbert Railton and Hugh Thomson.

A nostalgic account chronicling the history, charm, and adventures of traveling by coach in 19th-century England.


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Our Village

Mary Russell Mitford, Our Village (1893). Introduction by Anne Thackeray Ritchie, cover design and 100 illustrations by Hugh Thomson.

Mitford’s classic study of rural customs, characters and scenery, originally published in the 1820s.


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Shakespeare’s England

William Winter, Shakespeare’s England (Macmillan: London, 1893). With 80 illustrations by Herbert Railton. Also printed in the US with a slightly different cover design.

Explores the life and times of William Shakespeare and the vibrant theatrical world of Elizabethan England.


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Tales of the Punjab

Annie Flora Steele, Tales of the Punjab Told by the People (1894). With notes by R. C. Temple, illustrated by J. Lockwood Kipling (frontispiece, 4 plates, vignettes throughout).

Many of the stories in this collection had never before appeared in English. The beautiful illustrations are by John Lockwood Kipling, father of Rudyard, and Temple’s notes provide helpful historical and cultural information. 


Rare. Check availability at Abes | eBay


Coridon’s Song

Austin Dobson, Coridon’s Song and Other Verses from Various Sources (Macmillan: London, 1894). Introduction by Austen Dobson, cover design and 100 illustrations by Hugh Thomson.

Ten traditional songs and verses selected and introduced by Austin Dobson. Published in the US as Old English Songs.


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Aesop’s Fables

Joseph Jacobs, ed., The Fables of Æsop (1894). With 200 illustrations by Richard Heighway.

An extensively decorated collection of Aesop’s fables.


➤ Uncommon. Check availability at Abes | eBay


Gulliver’s Travels

Jonathan Swift, Travels into several remote nations of the world by Lemuel Gulliver, first a surgeon, and then a captain of several ships (1894). Introduction by Sir Henry Craik, with 100 illustrations by Charles E. Brock.

A satirical tale of sharp social commentary, as observed through the adventures of Lemuel Gulliver to fantastical lands.


➤ Uncommon. Check availability at Abes | eBay


Reynard the Fox

Joseph Jacobs, ed., The Most Delectable History of Reynard the Fox (1895). Cover design by A. A. Turbayne, illustrated by W. Frank Calderon.

A timeless collection of fables that chronicles the cunning exploits and mischievous adventures of the sly and clever fox, Reynard.


➤ Rare. Check availability at Abes | eBay


The Alhambra

Washington Irving, The Alhambra (Macmillan, 1896), Introduction by Elizabeth Robins Pennell, illustrated Joseph Pennell.

A collection of tales and essays transporting readers to the enchanting world of the Alhambra palace in Spain.


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The School for Scandal

R. B. Sheridan, The School for Scandal and The Rivals (Macmillan, 1896). Introduction by Augistine Birrell, illus. by Edmund J. Sullivan.

A pair of satirical plays that expose the hypocrisy and gossip of high society through exploring the comedic misunderstandings and romantic entanglements that arise.


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Tom Brown’s Schooldays

‘An Old Boy’ [Thomas Hughes], Tom Brown’s Schooldays (Macmillan, 1896). Illustrated by Edmund J. Sullivan.

Chronicles the transformative experiences of a young boy at Rugby School in Victorian England.


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The History of Henry Esmond

W. M. Thackeray, The History of Henry Esmond, Esq. (Macmillan: London, 1896). 72 illustrations by Thomas Heath Robinson. The US edition of this title has a different cover.

Esmond navigates his way through love, loyalty, and political intrigue in 18th century England.


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A Kentucky Cardinal and Aftermath

James Lane Allen, A Kentucky Cardinal and Aftermath (Macmillan: London, 1901). With a new preface by the author, and 100 illustrations by Hugh Thomson. The US edition has a different cover design.

An idyl of provincial life.


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Evelina

Fanny Burney, Evelina (1903). Introduced by Austin Dobson, illustrated by Hugh Thomson.

A young and naive heroine navigates the pitfalls of high society in 18th-century England.


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Scenes of a Clerical Life

George Elliot, Scenes of a Clerical Life (Macmillan: London, 1905). With illustrations by Hugh Thomson.


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Silas Marner

George Elliot, Silas Marner, The Weaver of Raveloe (Macmillan: London, 1907). With illustrations by Hugh Thomson.


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"Cranford-America" - List of titles

Ten additional “Cranford-style” volumes were produced by Macmillan in the US (including a few alternate cover designs and one duplicate under a different title). As you can see below, several do not feature the same green cloth binding as those in the core list above (being largely bound in dark blue cloth), and many appear to be about 1/4 inch taller. They do not feature as part of the core series in Macmillan’s own advertisements in the UK, although a couple of the books were also printed in London by Macmillan, as well as being licensed out to other publishers, including George Allen and Seeley & Co

Shakespeare’s England

William Winter, Shakespeare’s England (Macmillan: New York, 1893). With 80 illustrations by Herbert Railton. The cover design uses the same background, but is slightly different to the UK edition.

Explores the life and times of William Shakespeare and the vibrant theatrical world of Elizabethan England.


➤ Check availability at Abes | eBay


Old English Songs

Austin Dobson, Old English Songs (Macmillan: New York, 1894). With 100 illustrations by Hugh Thomson. 

Published in the UK by Macmillan as part of the core series, titled Coridon’s Song.


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Love in Idleness

Francis Marion Crawford, Love in Idleness: A Tale of Bar Harbour (Macmillan: New York / London, 1894). With illustrations reproduced from drawings and photographs. Navy blue cloth.

A Tale of Bar Harbour.


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Marmontel’s Moral Tales

George Saintsbury (ed), Marmontel’s Moral Tales (Macmillan: New York / George Allen: London, 1895). With illustrations by Chris Hammond. Published in the UK by George Allen.


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Letters from Sir Charles Grandison

Samuel Richardson, Letters from Sir Charles Grandison, Volumes I and II, (Macmillan: New York / George Allen: London, 1895). Edited by George Saintsbury, with illustrations by Christopher Hammond. Published in the UK by George Allen.


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Gray Days and Gold

William Winter, Gray Days and Gold: In England and Scotland (Macmillan: New York / London, 1896). Illustrated. Navy blue cloth US, pale green cloth UK.


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Country Stories

Mary Russell Mitford, Country Stories (Macmillan: New York / Seeley & Co: London, 1896). With illustrations by George Morrow. Navy blue cloth. Published in the UK by Seeley.


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The Spectator in London

Addison and Steele, The Spectator in London (Macmillan: New York, 1986/Seeley & Co: London 1897). With illustrations by Ralph Cleaver. Blue cloth.


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The History of Henry Esmond

W. M. Thackeray, The History of Henry Esmond (Macmillan: New York, 1897). 72 illustrations by Thomas Heath Robinson. This cover design was reused from the UK edition by George Allen, and it was then published the following year in the UK by Macmillan as part of the core series, with a different cover design.

Esmond navigates his way through love, loyalty, and political intrigue in 18th century England.


➤ Check availability at Abes | eBay

A Kentucky Cardinal and Aftermath

James Lane Allen, A Kentucky Cardinal and Aftermath (Macmillan: New York, 1900). With a new preface by the author, and 100 illustrations by Hugh Thomson. The UK edition has a different cover design.


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"Cranford-Style" - list of titles

A selection of titles from other publishers, released at a time contemporary with the Cranford series that reflect a similar style of binding design.

The Story of the Volsungs and Niblungs

William Morris and Eirikr Magnusson (translators), Völsunga Saga: The Story of the Volsungs & Niblungs with Certain Songs from the Elder Edda (F. S. Ellis: London, 1870). Cover design by William Morris and Philip Webb.

An early precursor to the Cranford style, this beautifully bound prose and verse translation of the story of the Volsungs was limited to 750 copies. 


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The Ballad of Beau Brocade

Austin Dobson, The Ballad of Beau Brocade and other poems of the XVIIIth century (Kegan Paul, Trench, Trubner & Co: London, 1892). Illustrated by Hugh Thomson. Also common in red cloth.

An idyllic poetry collection.


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Proverbs in Porcelain

Austin Dobson, Proverbs in Porcelain, to which is added “Au Revoir” – a dramatic vignette (Kegan Paul, Trench, Trubner & Co: London, 1893). Illustrated by Bernard Partidge. Also common in red cloth.

An idyllic poetry collection.


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The Story of Rosina

Austin Dobson, The Story of Rosina and Other Verses (Kegan Paul, Trench, Trubner & Co: London, 1895). Illustrated by Hugh Thomson. Also common in red cloth.

An idyllic poetry collection.


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Goldsmith’s Comedies

Oliver Goldsmith, The Comedies of Oliver Goldsmith (George Allen: London: 1896). With illustrations by Chris Hammond.


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The Compleat Angler

Isaac Walton, The Compleat Angler (Dent: London, 1896). Introduction by Andrew Lang, illustrated by E. J. Sullivan. 


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Undine

Baron de la Mott-Foqué, Undine (Macmillan: New York, 1897). Translated by Fanny E. Bunnett, with illustrations by Rosie M. M. Pitman. Blue cloth.

A water sprite marries a knight in order to gain a soul.


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Peg Woffington

Charles Reade, Peg Woffington (George Allen: London, 1899). Introduced by Austin Dobson, illustrated by Hugh Thomson. Also common in red cloth.


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Original Cranford Series Checklist

Clicking this button will download a PDF checklist of the 24 titles in the original British Cranford series. Please note this is an experimental feature – feedback welcomed! 

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