The Explosion of Special Feature Books: Why Collectors and Readers are Getting into Preordering First Editions

Published by Daisy on

The Explosion of Special Feature Books

How and why the book market is flooding with "unique" first printings

On this page: Introduction | Allure, Pros & Cons for Collectors | First Print Runs, First Printings, and How Exclusive Are They, Really? | UK, US and Global Printing Trends | Finding Special Edition Books

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What’s Going On?

You may have noticed that over the past couple of years, the book publishing industry has witnessed a crazy surge in the production of special feature books. I’ve certainly noticed – my page that tracks upcoming special editions got sooo loooong that I had to reconfigure it a few weeks ago into separate monthly lists.

These “deluxe” “special” “collector’s” editions come with a range of unique features designed to make them stand out. From stunning decorative sprayed page edges to foiled designs hidden under the dust jacket, from bespoke endpapers to gorgeous illustrations and exclusive bonus content, these special features can transform ordinary books into extraordinary treasures. 

By limiting many of these special elements to first printings, publishers are creating a sense of exclusivity and urgency among collectors. 

Now, I love all these bells and whistles and having them in my shelves brings me great joy, but as a long time collector I want to remind you not to get too stressed if you miss out on an edition. Secondary market prices are wild, and I promise you there is bound to be another gorgeous book coming along tomorrow that you can enjoy without promising your first-born to a neighbouring witch. 

IG special editions bookcase jreinhardt91
Special editions bookcase by @jreinhardt91

The Allure of Special Editions

Aesthetic Appeal: Let’s be honest, who doesn’t love a book that looks as good on the outside as it does on the inside? Special edition books are visually striking. Decorative features like sprayed page edges and foiled designs are like candy for the eyes, they add a touch of magic to your reading, and they can transform your bookshelves into mini walls of art. 

Marketing Strategy: Publishers are smart – they know we love something exclusive. By limiting these features to first print runs, they create a sense of urgency. Fear of missing out, or FOMO, drives preorders and early purchases, ensuring strong initial sales. 

Pros and Cons for Collectors

Pros:

  • Exclusivity: First print runs with special features are usually limited in number, which can make them rare and valuable. And owning a first print edition with special features can feel like being part of a secret club – it’s something only other booklovers will have and appreciate. 
  • Increased Value: Over time, some of these special editions can become highly sought after in the secondary market, potentially increasing in value. In my experience though, after the hype wanes they can equally plummet in value (look at all those Fourth Wing editions, each one cannibalising the others’ market share) – so buying these as an investment can be a very dicey proposition.
  • Enhanced Reading Experience: The added features can make the reading experience more enjoyable and memorable. I especially love checking under the dust jacket and finding a hidden treasure!

Cons:

  • Availability Issues: Limited print runs may mean that not everyone who wants a special edition can get one, leading to disappointment and frustration. Some of the books are “geolocked” and hard to source if you’re living outside the US and UK, leading to expensive shipping and more carbon emissions. Others go on sale at a particular time, leading to anxiety and stress about missing the sale window, or preordering a book you end up not really liking.
  • Higher Cost: Some special editions are more expensive than standard editions, which of course can pose a barrier for some collectors. 
  • Quality Issues: Some publishers spend time and effort publishing beautiful quality books that you can hand down across generations. Others are using low quality spray on glued textblocks that will fade and fall apart. Look for publishers you can trust (e.g. I’m reading some LitJoy special editions right now that are delightful and well constructed (review to come!), while I have another special edition hardback from Waterstones on my bedside table that literally faded while I read it in the sun for just a few hours. I want my books to be readable people!).
  • Storage: Collectors want to ensure these special editions are stored properly to maintain their condition, which can require additional resources and care. Books take up quite a bit of space, and if you decide to collect a prolific title or author this doesn’t take long to get out of control (guilty! haha).
oathbringer edition comparison
Early US editions of Brandon Sanderson's Oathbringer have a map inside the dust jacket, newer editions are blank

First editions, first printings, and all that jazz

If you imagine getting your hands on a book right when it first hits the shelves, that’s what a “first edition” book is. It’s the initial publication of a book, whether it’s in hardcover, paperback, a limited edition, or a special release. This version is the book’s debut to the world.

A “first printing” refers to the very first batch of copies produced from the first edition. Think of these like the first batch of cookies fresh out of the oven from a new recipe. The books have gone through the entire “baking” process from the initial manuscript “ingredients” to the final bound copies ready for readers to enjoy. Sometimes, the first printing can have unique features like printing variations or errors that were later corrected.

For book collectors, there is usually a preference for first printings of first editions, as these are seen as the most authentic and significant versions of a book (and typically the most valuable). And when special features are included only in the first print run, of course they become even more sought after.

How “exclusive” are they, really?

Publishing a book inherently involves taking calculated risks. A new book might face critical disapproval or, worse, remain unnoticed altogether. To mitigate these risks, publishers often print initial editions in small quantities, reprinting only if the book proves commercially successful. This practice results in first editions being far more limited in number than subsequent printings. This scarcity is particularly pronounced for debut works by new authors, who have yet to establish a reputation for literary success, making their first editions especially rare and valuable. The bells and whistles I’m talking about in this article are intended to increase initial sales by limiting speceal features to first printings only.

A typical first print run can vary widely depending on the expected demand for the book. For a debut novel or an author’s first work, the print run might be relatively small, ranging from around 2,000 to 20,000 copies. Larger announced print runs can be a marketing tactic to indicate high demand, but they may actually print far fewer copies (e.g. I know publishers who announced a print run of 80k, although they printed only 10k to start with). Publishers tend to be pretty conservative these days, as it’s not hard to go back for a reprint. For established authors or highly anticipated titles, initial print runs can be significantly larger, sometimes exceeding 100,000 copies. Michelle Obama’s Becoming, for example, had such a high number of preorders (allegedly in the millions) that it had to be printed at multiple plants and disrupted many other books scheduled for print at the same time. The goal is to balance the risk of unsold inventory with the potential for high demand, adjusting print numbers accordingly to maximize both availability and profitability.

You’ll really only know how exclusive the books are if the publisher numbers them, which is usually the case only with certain publishers and low limitations. Some bookclubs like Goldsboro release numbered special editions so you know exactly how many copies they release of their book club titles (it was 500 copies back in 2005, these days between 1500 to 2000). Waterstones typically prints between 1000-2000 copies of its special editions as well, although they are not numbered. Clubs like FairyLoot and Illumicrate don’t share how many they print, but based on information from authors who’ve had to sign tip-in sheets, the print run is likely between 2000-5000 copies of their standard club titles.
comparing international fourth wing editions
Editions of Fourth Wing by Rebecca Yarros from different countries had different features

US vs. UK Trends and Beyond

Although fancy book features have probably been part of publishing since it first began, if you’re interested in early attempts to track mass market special editions back when I first set up the site, my rather grandly titled ‘Archived Compendium of Sprayed Edges‘ page gives you a bit of a tour of how rapidly they have been increasing over the past 15 years or so. But since I’ve been actively collecting here for a long time, I thought I might also share some experiences with the different market focus around the world.

UK Market: The UK market has has long been a stronghold for special edition mass market books. Early on, British special edition books were usually characterised by aesthetic features like illustations endpapers, ribbon bookmarks and bespoke splicases. My first purchases in this area were from Independent publishers like The Folio Society (1066 And All That had ink spattered page edges way back in 1990). And Indie bookstore Goldsboro Books was adding special features like alternate covers, slipcases and sprayed page edges to its “Book of the Month” club back in the early noughties. Waterstones bookshop has been known for its special editions for many years, and Independent bookshops in the UK frequently collaborate with publishers to create bespoke editions. Well-known special edition book clubs like Illumicrate and FairyLoot were some of the earliest drivers of the current “book subscription box” phenomenon, and these were established back in 2015/2016 by booklovers.
 
US Market: Special first editions in the US have historically tended to focus more on content exclusivity and providing deeper connections to the author, by including bonus chapters, behind the scenes insights into the writing process, or unique forewords or afterwords written by the author. Although to be honest, in recent days both markets make use of all of the different options for exclusivity. Leading the charge for special editions in the US are retailers like Barnes & Noble, and new publishers like Red Tower, Bloom, Bramble release a lot of deluxe editions, with behemoths like Random House. LitJoyCrate was one of the first book subscription boxes to take off in the US in 2016.
 
Global Trends: Special edition books are an increasingly significant trend across various parts of Europe, with each country displaying unique characteristics and preferences. 
 
In France, the market for special editions is robust, driven by a strong appreciation for both literary and visual arts. French publishers often emphasise aesthetic features such as high-quality paper, unique cover designs, and special binding techniques. Limited editions of popular titles, particularly in genres like general literature, comics, and manga, are highly sought after. 
 
Germany’s special edition market is also very strong, with a trend leaning towards meticulously curated special editions that appeal to their reader’s strong tradition of literary appreciation and academic pursuit. German publishers often produce annotated editions, complete with scholarly introductions, detailed appendices, and high-quality reproductions of original illustrations or manuscripts. The focus is on providing an enriched reading experience that offers deeper insights into the text and its historical context. 
 
In Asia, there is a growing trend towards luxurious, well-crafted editions of both classic literature and contemporary works. Chinese publishers, for example, frequently use high-end materials and elaborate designs to create collectible editions that appeal to both domestic and international markets. 
 
Smaller book markets like Australia usually rely on importing special editions created for interntional markets, becuase there isn’t the domestic infrastructure to support making special editions locally.

Finding special editions

If there are authors of publishers that you particularly love, then I recommend signing up to their newsletters and social media channels to get information about upcoming special editions as soon as they announce them. Otherwise, as I mentioned earlier, I have been sharing information about special editions for years, and you can check out both upcoming releases as well as archives going back for more than half a decade on the upcoming special editions page linked below:


Daisy

I'm the founder and operator of the Beautiful Books website ツ

2 Comments

Ashlee · 15 July 2024 at 2:45 am

do you have any special edition hardcover books by author j. bree? it’s the bonds that tie series. any help would be appreciated!

    Daisy · 15 July 2024 at 8:25 am

    Hi Ashlee. Alas, I don’t sell books, but you could look out on reseller sites like eBay or Mercari for the special edition sets of these books that were put out by Bookish Box (exclusive covers, stenciled page edges, foiled case stamp, decorative endpapers); Arcane Society (exclusive covers with double sided dust jackets, foiled covers, stenciled page edges); and the PR Box set. There are also exclusive paperback foiled editions from signing events. Best of luck in the hunt!

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